Showing posts with label Phantom of the Opera. Show all posts
Showing posts with label Phantom of the Opera. Show all posts

Friday, June 20, 2014

PHANTOM OF THE OPERA GOES BLACK



I have experienced seeing Phantom of the Opera on Broadway and in Toronto and with various leads.   Open the present Playbill for this recent show to view a two-page spread on Norm Lewis who had already retained the role of Inspector Javert in Les Miz.   What is the hype?  He is the first African-American to play the role of the Phantom.  WHAT?  WHO CARES?

Will that bring a larger black audience?  Will bigoted people stay away?   What truly counts is the performance and I’m sorry, but he is NOT a Hugh Panaro.   Granted, if you are seeing the show for the first time, you will be quite satisfied with everything.  In fact I went with someone who is above the age of 60 and has actually never seen a live performance of Phantom of the Opera.  She loved it. 

Norm sang and acted well.   He just seems to miss it for me on the vocals.   Sierra Boggess is now in the role of Christine.   It is interesting to hear the difference in her high soprano vocals vs that of Carlotta portrayed by Michele McConnell.    McConnell sounds more “opera” in tone (as her character would have it), while the excitement lies in how high Boggess’s voice will go. 

Having seen a tv spot that focused on machines that can capture and change your singing voice I continued to watch as they talked about performers who might be singing in positions that may warrant a voice over or recording.   It would appear that the performer is continually singing.   What if they can’t hit the notes that evening or walking along a sort of scaffold…as in Christine and the Phantom? You’d still get the vocals but the performer is mouthing the words with his or her own voice.  Just saying.

Playbill.com launched its 30 Days of Pride initiative June 1, profiling the dynamic voices of the LGBT community and pioneers of the stage. As part of the celebration, the company has switched its banner from the well-known yellow to rainbow.    Will it be a Collector’s item like the opening performance?

Phantom of the Opera is being performed at the Majestic Theatre.    Incidentally, if you haven’t heard, Love Never Dies is the sequel.   I doubt that it will come to Broadway unless people get tired of seeing Phantom.  

Wednesday, July 24, 2013

NEW YORK DOT COM FOR BROADWAY

According to BroadwayLeague.com, last year’s Broadway attendance topped the attendance of all NY and NJ sports games combined.  Clearly, Broadway shows are hot, but how can customers get the most out of their experience this summer?

Broadway theaters are looking to enhance the way audiences experience shows by becoming more interactive and engaged. Unique Broadway access is often reserved for groups, specialty card-holders or subscribers, but through NewYork.com’s Connected to Broadway series, ticket-holders have the opportunity to experience their favorite shows like a true New York insider: attending an exclusive cocktail event, getting preferred (difficult to get, often sold out) seats and an up close and personal discussion with the cast

Tickets were available for the August 1 performance of “Kinky Boots” and are now available for the August 22 performance of “Phantom of the Opera.” NewYork.com is also using this opportunity give back to the community that is such an integral part of New York by donating a percentage of proceeds to Broadway Cares.
www.NewYork.com.    

What: NewYork.com’s Connected to Broadway: The Phantom of the Opera
When: Thursday, August 22, 2013; 6:30 p.m.
Where: Majestic Theater: 245 W 44th St., New York, NY 10036
Ticket-holders to NewYork.com’s Connected to Broadway series have the opportunity to experience their favorite shows like a true New York insider: attending an exclusive cocktail event, getting preferred seats and an up close and personal discussion with the cast.
Value: Tickets start at $279


Let me take you through the experience of attending the August 1 performance of Kinky Boots.  Upon my 5 p.m. arrival I was met near the box office, given my seat ticket and two drink tickets, then instructed to go upstairs to another lobby.   This lobby leads to the mezzanine level of the Al Hirschfeld Theatre at 45th St. and 8th Avenue.  This is a must view lobby as it is a gallery of Al Hirschfeld drawings.  You can certainly occupy your time by searching for the name "Nina" in each of his works that have a number after his name...the number of times the name "Nina" appears.

Catered hor d'oeuvres  are being brought around.  I would consider them to be some very savory amuse bouches.   One bites.   I hung out in this area and schmoozed with other VIP ticket holders that had gotten wind of NewYork.com.

I sat in what is considered the front mezzanine, which certainly provided me with a different angle from my usual orchestra seat.   Loved it.  I could also understand as to why this show won so many awards. I mean if you're going to do this it should be a winner!

Upon the conclusion, I went downstairs and were seated in the first three rows of the orchestra.  Members of the cast came out to the front of the stage as we asked questions about the show including the technical aspects, costumes and, those kinky boots.  I guess depending upon as to whether the leads have guests coming to their dressing room,  needing much time to get out of the costume, etc.  is what determines as to which of the cast members can make their way to the discussion.   Theatre lovers...don't miss the Phantom experience. 

What is NewYork.com all about? It's the ultimate New York portfolio of information on hotels, entertainment, attractions, tours, dining, real estate, jobs and more.  It provides consumers with a single booking engine to purchase all that New York City has to offer.   Try it!






 

 

Friday, January 27, 2012

PHANTOM OF THE OPERA WILL HIT 10,000

Would you believe that Phantom of the Opera, the longest running musical on Broadway, will hit its 10,000th performance in a few weeks? The 24th Anniversary occurred on January 26. I attended the day before, a matinee, with my Aunt Gertie.

I was surprised when Christine (performed by Marni Raab)did not get a standing ovation hearing some news about who was to be portraying her. Afterwards, I looked in the Playbill to see that Trista Moldovan was the hype and Raab was doing alternate shows on Wednesday and Saturday matinees. Personally I thought that Raab gave an excellent performance. It was Hugh Panaro (the Phantom) who got the standing ovation and much deserving of. I recalled the last time I say the show and went back stage to meet Hugh. He has such an amazing voice and his acting is to be as much commended.

What is it that draws so many people to see Phantom? Let's begin with the score. The plot isn't one that you have to strain to follow. Then there is the score. Although there is much drama, there are some amusing spots as well due to the characters. Then there is the score. Talent is wonderful, sets are fabulous, effects are great and did I mention the score?

Sunday, October 3, 2010

QUAD CITIES, THE CONCERT








LeClaire Park in Davenport is a great venue for festivals and concerts. September brings their annual Beerfest. I was there the week before to attend a performance by the Quad City Symphony Orchestra's Riverfront Pops with a focus on Broadway hits. Mark Russell Smith is the Music Director and three Broadway stars were on hand to sing. They were: Stephanie Block, who starred in the musical "9 to 5", The Boy From Oz, and Wicked; Lisa Vroman, who starred in Phantom of the Opera, had Broadway roles in Les Miz and continued singing opera; and Hugh Panaro, who is now starring on Broadway in the role of "masked man" in Phantom of the Opera. Coincidentally I had tickets to review Phantom only a few days later and met him backstage.

During these type of events, attendees are encouraged to bring chairs, tables or whatever they wish to enjoy a picnic on the lawn. For those who just wished to view the concert and perhaps buy food from the vendors, row of chairs are laid out in front of the stage.

Thursday, September 16, 2010

NEW YORK CITY: BROADWAY AND THEIR WAY

Let’s start with the brighter side of New York City; the neon lights of Broadway. I recently went to the Quad Cities. Those are four cities located along the Mississippi River where the water flows East and West and consists of two cities in Iowa and two in Illinois.

The Quad Cities Symphony Orchestra was having a Riverfront Pops at LeClaire Park in Davenport. It was comprised of Broadway songs and featured three Broadway stars: Stephanie J. Block (9 to 5), Lisa Vronman (Phantom of the Opera), and Hugh Panaro (Phantom of the Opera). In fact, Hugh had just begun his second Broadway run in the role of the masked phantom the week before. Coincidentally, I was already slated to review the recent two role changes just a few days after this concert. I must admit that having seen this production once on Broadway and once in Toronto, his performance was the most outstanding in regards to both his acting and vocal ability.

Hugh originally took the role of Raoul in 1990 and was later cast as “the man behind the mask” in 1999. He either must have been quite young as Raoul or keeps himself from not looking his age now. I can’t wait for the CD to come out with this cast. That’s not to say that Sarah Jean Ford’s role as Christine produced any less enjoyment.

Mayor Bloomberg and the planting of trees. Perhaps the old ones should have been cut down before these new ones went up. I got one in front of my house. They want me to maintain it. I didn’t ask for it. There are enough trees across the street in Forest Park. We just had a whole bunch of trees knocked down from last week’s storm. If any of Bloomberg’s trees fell down and caused damage, can he be sued? I don’t mean suing the City as he is the one that made the decision to “go green”.

The Department of Transportation has been going around issuing violations regarding the sidewalks. I was told that due to the cracks or whatever in the pavement that it was a hazard. I have choice of applying for a permit and contracting a company to have it repaired (they have decided that 60 square feet of it was necessary), or they will do it for $8 per square foot. I had patchwork done and it is no longer a hazard. However, they have decided that it is not good enough. I can appeal this by first filing a petition of appeal that costs $30. I’m trying to first get that they own the sidewalk but I have to maintain it. What puzzles me is why this is under the jurisdiction of the Department of Transportation. Are they concerned that if someone were to ride on my sidewalk that the cracks would cause the vehicle to skid and go into the street?

I have come across many sidewalks that have a section raised due to the roots of a tree. Patchwork has been done, but it is still a hazard. Perhaps that can raze that tree which will make one less to crash down on a car or pedestrian.

A law gets passed to help homeowners, especially, to not have to deal with fliers, etc. Despite the sign I have in my window, I still get the pesky stuff. What’s more is that if I don’t recycle it, I can be fined by the Dept of Sanitation. They, of course, don’t make it easy to have the City enforce this law and make it extremely difficult for you to complain, as you are responsible for mailing the advertisements along with forms. I would love to know if any company paid the $250 fine.

Quality of Life. Another one from Bloomberg. Noise and not necessarily after 11 p.m. My neighbors blast their music for hours as it echoes throughout the backyards. I tried going to the neighbor and was told that someone else’s music was loud. So, therefore it’s okay to make yours louder to compensate? At first she said that she would lower it. I heard the conversation afterward as that echoed in the backyard. It lowered a bit but then the party attendees basically told her that I should go screw myself and the volume was back. Despite the many times that I called 311 or the local precinct, no one came over.

Water meters. First they were insistent on putting in new meters so they could read them from outside your house. They then decided that the employees feet must have been in pain from so much walking. They came to install yet another gadget so that it could be read my computer or cable, or whatever. DEP came to my house and wanted access to the meter threatening me with “denial of access charges”. What’s the matter, they are having a problem with their new idea or did they forget that they already installed the gadget?

Now, let’s see how this goes. If New York City can make money by giving you a fine or employing them, there are enough employees to enforce the laws. However, if the laws look as if they are on your side (Oh, look what Bloomberg is doing for us), there’s either no one available to enforce them or you’re forced to “give up”. I, personally give up on New York City.