Tuesday, December 5, 2017

SECRET SUPPER FOR SPRING ST SOCIAL SOCIETY




Socializing can become boring doing the “same old thing.”  Once a year, the Spring St Social Society accepts new members to its club to experience four seasonal dining events along with cabarets, salons and original theatre such as Secret Supper: The Musical.

You don’t get the information on the locale of the event until the morning of it…other than it being in Manhattan.  It was co-founders Patrick Janelle and Amy Virginia Buchanan’s first attempt in incorporating a full-scale musical and dining production.  Judging by the attendees, myself included, the entire extravaganza was a huge success. 

The event was created in a “space” vs. a restaurant, set up with a bar area on one end where the first gathering took place.  Specially made gin drinks were prepared, one of which was a very tasty gimlet.  As people socialized, waitstaff came along with two different canapes:  a shot glass with a piece of halibut and avocado in lemon juice; a cheesy cheese puff.   Actors walked about as if they were just part of the group.   Lights focus on one actor who begins to speak and sing.   

Patrick and Amy introduce the evening as we are escorted to the dining area, elegantly created with white clothed tables and decorations that include books…not necessarily to be read.  We are given a menu of “A Play in Five Courses,” the first being Arcade Bakery Sourdough, Scene 1: Crying.

Above the seating area there is white clothing hanging as if out to dry.  I wasn’t exactly sure of why, but they seemed to be clothing of chefs...lots of white undergarments, too.   High atop at the far end sat the group of musicians.  Music, composed by Alex Thrailkill and Jeanna Phillips, Evan Johnston claimed the synthesizer and electric bass, while Michael Hunter took on the violin and acoustic guitar, Ada Westfall on drums and Karaoke Bradshaw…no Karaoke Bradshaw is not the name of another musician.  

Actors were seated along the sides of the area: Nikki Pettus; Audrey Hailes, Amma Tattenbaum-Fine; Molly Mcaddo; Preston Martin; and Ronald Peet.  They sang and talked about their experiences of socializing each maintaining their own character while we, the audience sympathized.  

Scene 2: Cold, the topic, might have been the perfect name for the evening as well….no heat! Were we supposed to feel as if we were eating al fresco abutting an apartment building?  However, the email sent told us to bundle in layers.  Raw Scallop was the course.  The scallop was thinly sliced, acid to “cook” and served in a scallop shell.  

Karaoke became the topic for Scene 3 while Fall squash and mushrooms were being served by the choreographed waitstaff.   A bowl of squash and separate bowl of mushrooms were placed to serve four people.  

Scene 4: Subway had the entrée of chicken pot pie while Scene 5: Snow gave us our dessert of Tarte Tatin.  Snow was the clinch to the idea that it was an outdoors scenario.  Chef Daniel Eddy set up the menu and recipes of which the food might be categorized as a take on Novelle Cuisine, characterized by lighter, more delicate and savory dishes with an increased emphasis on presentation. Wine was served throughout the dinner.  

Let’s get to the show itself beginning with the music.  I loved it.  It was upbeat but not overwhelming.  Actors were always in character, delivered well and quite talented in their vocal abilities.  Although you might not have ever heard of them, Niesler chose a very talented cast and an extremely courteous waitstaff were obviously a part of the show. Kudos goes to the playwright T. Adamson whose book combines humor into the socializing experience.  The show, for me, had reminiscence of “Spring Awakening.”  I classify Secret Supper: The Musical as a well-executed Off-Broadway show combined with fine dining.  www.ssssociety.com




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