It’s the
Vienna City Square 1978 at a public concert where the mayor is honoring Nina
Simone (Amber Iman). She is vamping the
song, “Am Yisrael Chai” (keep Israel alive) and introduces Shlomo. This is Rabbi Shlomo Carlebach (Eric
Anderson) who has been singing and “bringing light to people all across the
world.” He is playing the guitar and accompanied
by the Holy Beggars Band who enter down the steps from the audience and make
their way to the stage continuing with this song.
There is protest from Reb Pinkas (Ron Orbach),
Shlomo’s teacher, who is reminding him of what occurred here during the
holocaust. As Shlomo talks about the
Reb, the scene changes to the year 1938 where he and his brother Eli Chiam are
playing ball during “Shabbiss” They want to enjoy themselves and the Reb says,
“Being a Jew is about pain and suffering. Joy is for the Genitiles.”
Their father gets a letter stating that they must
leave Austria in seven days. With the
Torah that has been passed down for generations the move is to New York
City. (What did you expect?). 1941, Shlomo is intent on reading the Talmud
and his father starting a congregation.
There have been several songs. In
fact, expect to hear 35 numbers of an approximate 2 hour show with one
interpishon.
As the two boys age, Eli Chiam will be “swept up by
the Chassidim who will be dressed in long coats and wearing “peyos”, long curly
sideburns. After much Jewish culture
the scene changes to 1957 and Columbia University for a “wild Rosh Hashana
dance”. The brothers, now singing
together, are told that they need to “jazz it up” and given a flyer to attend
the Smoky Piano Bar.
Scene change with Nina singing “I Put A Spell On
You” as Shlomo enters. He is captured by
the music and her. Nina will never get
his name correctly and will pronounce it as “Shaylimo”. There will be plenty of funny lines in this
show. She explains how it feels to be
black and he explains his past in Vienna.
They each realize that they must live their dream as Shlomo sings, “Ki
Va Moed” (The time has come).
Shlomo is invited to a Baptist Church that Nina
sings at. He is inspired by the
energy. As he leaves he is confronted
by the Reb and his father. However, the
Reb makes negative remarks about the “schvartzes” and with that Shlomo’s
father, a rabbi at his temple, fires Reb Pinkas. Shlomo’s father wants him to become a “traditional
rabbi”. Shlomo says that he must do his
thing and hands over his prayer shall.
Scene change to Washington Square where a chat with a
“blind guitarist” who calls him a “Soul Doctor”. Shlomo admits that that is what he wants to
be. It is at this point that Shlomo is
taught how to play the guitar.
As the show continues songs will be sung that
encourage the audience to clap along, but done so when the audience at the
theatre is the audience that the performers are playing to.
Rather than continue with the plot line which
includes San Francisco’s Haight Asbury (which is a reminder of “Hair” and the beginning
reminiscent of “Fiddler on the Roof”). Amber Iman sings only a few numbers and
certainly makes a hit with the audience.
Eric Anderson get deserving
thunderous applause many times.
At one point, Shlomo meets Ruth (Zarah Mahler), who has fallen in love
with him…love not returned. She gets a
solo with “I Was A Sparrow” which certainly shows off her singing talent.
As for the show itself, if you are not Jewish or
understand the Jewish culture, this may only be enjoyable in regards to the
songs, energy of the show and the
humor. Soul Doctor music was written by
the actual Rabbi Shlomo Carlebach and is meant to depict his life, with some
“less truths”. Who cares? See it at Circle In The Square Theatre. Ki Va Moed.