When I heard the description of the Off-Broadway
production of Bare, I trumped up images of Broadway’s Spring Awakening with a
gay plot. As I scrambled through the
actors’ bios, it did not surprise me to learn that there were at least four who
were either in the Broadway version or touring.
That’s not bad since I happened to have loved Spring Awakening (saw it
three times).
Curtain opens…oh, that’s right…there is no
curtain. The set has back and side
fixtures of dozens of photos. I couldn’t
get close enough to see, but I think that they were photos of the students that
were probably taken via a cell phone or such.
Peter, (Taylor Trensch) a 16-year-old and sort of
nerdy looking boy is upstage. We are in
the hallways of St. Cecilia’s Church. There is a large photo behind him
stretched across the top of half the stage, that of high school students in the
cast. “I was asked to say a few words. I
thought I should begin by telling you who I am. You know how, when you see a
group picture, you try to find yourself in it? I never do that. I’m always
surprised I’m there. I have a photographic memory. Another thing you probably
didn’t know about me. So I remember all
of it. Every moment. It started on President’s Day. Well no, to be completely
accurate, it started on Ash Wednesday. It began with a photograph”. Time is then wound to earlier in the
year. Flashback.
Most of the cast enters to opening song taken place
at Church, Fr. Mike (Jerold E. Solomon) at the pulpit. Cast continues with “Million Miles From
Heaven”. Blackout. Lights go up to see
Peter and Jason (Jason Hite) lying together in bed at Jason’s lake house. Jason is a “jock”. They
are discussing Jason’s audition to play Romeo in the school play as well as a
signal for them to be alone, “Can I borrow your math book?”
Let me get in some of the characters before I
continue. We have Ivy (Elizabeth Judd),
the slut…we’ll at least rumor has it from the school she had gotten transferred
from…then there is Jason’s sister, Nadia (Barrett Wilbert Weed) and Madison
(Sara Kapner) who believes the rumors.
Needless to say, Jason gets the part of Romeo and is playing opposite
Ivy. Matt (Gerard Canonico), who also
auditioned for the part of Romeo, is in love with Ivy and now Jason, who
doesn’t want to come out will need to prove himself of being “normal” by making
it with Ivy. Get the picture?
Sister Joan (Missi Pyle), who was also transferred
from another school, is hip to it all and just wants the students to lead a
happy life. She is directing the play
and believes that roles can be played by either gender, since there were only
male actors back in the days of Shakespeare. Her father was a dj and mother a singer. Pyle gets to show off her voice and style in
a most of the cast number called, “Don’t Tie Up The Request Line” which turns
into a lounge act, her being “Mary”.
Some more to
point out….Diane (Alice Lee) who is a bit naïve with some of the funniest
lines, Zack (Casey Garvin), the challenging “jock” and Alan (Alex Wyse) a
Jewish boy who transferred due to it being “the best school in the area”. He’s best lines were, “I’m not allowed to date
girls who aren’t Jewish. Can’t choose you unless you’re Chosen. Sorry ladies.
Choosy Jews choose Chosen Chicks.”
Enough of the plot as I don’t want to give away the
rest. It’s time to congratulate those
talented people who were responsible for Bare starting with the music. Damon Intrabartolo wrote the music and Jon
Hartmere (who also wrote the book), composed this contemporary rock musical
worthy of buying a CD. I’ve heard that one is not yet available. So sad. Stafford Arima directed this need to go to
Broadway winner. Travis Wall gave us the
choreography. Thank you Travis.
I have to say that the entire cast came together to
pull off what I feel was the best musical for this season, especially since I
love comedy as well. Okay, they threw in a token "Jew" but for comedy. The “baring one’s
soul” plot came across with little clichés, plenty of comedy, as well as the
important drama, great music, and a cast if harmonious voices. My only disappointment is that Bare is
“Off-Broadway” and deserved an upgrade.
I give Bare two thumbs up and a big toe!
Don’t miss it!
See it at the New World Stages, 340 W. 50th
Street (there are five stages at this venue).
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